I attended an amazing gallery tour by Laima Kreivytė, the curator of the exhibition of Marija Teresė Rožanskaitė’s work. I had seen some works by Rožanskaitė at the National Gallery of Art earlier, and I thought that she was among the most interesting Lithuanian artists of all times, but the current exhibition gives a full picture of her genius. Rožanskaitė (1933-2007) started her career under Soviet censorship, when artistic expression was carefully monitored and abstract art was treated unfavorably. However, her ‘progressive’ topics (modern medicine, space exploration and industrial cities) allowed her to get through the censorship. However, being a child of political prisoners and a progressive artist, she was largely ignored in the USSR. When Lithuania became independent, the artist continued producing innovative art, creating spatial assemblages and installations, addressing ecological and political topics, adored by the young generation. And yet I never studied about her work at art history lessons, and I heard nothing about her death in 2007 from the mainstream press. It’s a typical way to treat women artists.
One of my favorite places to hang out in Vilnius is the green space around the White Bridge.
There is a lot of space, so people fly kites and various strange flying objects, and sometimes there are festivals and concerts (like on the 1st of May). A part of this area was redeveloped according to a controversial plan, which included building a beach volley court. Beach volley in Vilnius, which is notoriously far from the sea comparing to the other Baltic capitals, sounded ridiculous. And yet people really come there and play, so I guess it’s good. Another area is equipped with platforms for skating and showing tricks with bikes. Continue reading